Senin, 05 Desember 2011

"KNOWN PAINTER S. SUDJOJONO" By Slamet Priyadi


S. Sudjojono
            MONDAY, 5 DECEMBER 2011 - Denmas Priyadi BLOG - S. SUDJONJONO born in Range, High Cliff, North Sumatra. Date and the month has not been clearly known around the year 1913. His mother named Narijem, his father named SinduDarmo who migrated to the Deli as contract workers oranng namely those imported from the land of Java to be employed in the plantation soil Deli beginning of the 20th century. Mr. Sind has a nice voice and often read and sing the song-song mocopat java, java-language fairy tale form of song or chant. His mother, Narijem also known as Shamans who can treat various diseases. Therefore, many meritorious in the local community, plus the wit and craft and dedication to the company's plantation, sir Sind by a plantation company was appointed nurse in a hospital in Tebingtinggi convicts.
           
            When he was old enough, S. Sudjojono by her parents enrolled in school HIS Boedi Oetomo at High Cliff. In these schools children were classified as S. Sudjojono intelligent. Because of this intelligence, he was much loved by both the teacher and Mr. Yudhakusuma Sudarminto. In 1926. For the sake of the progress of their children, parents approve of her son S. Sudjojono asked by Mr Yudhakusuma to Jakarta even though the child was not yet finished school, sitting in class VI.
           
            In Jakarta S. Sudjojono continue his schooling in his first at Petojo Arjuna, who is also a school where teaching Yudhakusuma pack. Mr. S. Sudjojono Yudhakusuma raised as a child. It was he who always gives encouragement, enthusiasm and motivation to Sudjojono to nurture, develop a penchant in the drawing.
          
After graduated from HIS 1928 S. Sudjojono, shall be borne by scholarship from the association Theosofi, which one is Mr. Yudhakusuma member own, continue their education to HIK Gunungsari, Lembang, Bandung. In this school, as well as the other students living in dormitories S. Sudjojono with parent number 101. The number is always he wrote in all his inventory items, glasses, plates, pillows, and others. Even in each of the works of paintings S. Sudjojono write the code SS-101.

          S. Sudjojono at this school only up to grade III. Expelled from school because of naughtiness and stubbornness that often revolted, bring friends wandering in the middle of the night, lit firecrackers to wake everyone. Mr. Yudhakusuma a great love for his adopted son was sent to Yogyakarta S. Sudjojono. There in that capacity by Mr. Sudarminto also his teacher in Student Park, High Cliff first.

         1933, by Mr. Sudarminto, S. Sudjojono included rapid course to become a teacher. After graduation, he was sent to Rogo Rogo Charm to Charm, East Java, to teach in schools in the newly opened Student Park. In this school, he taught about a year.
          
           S. Sudjojono also likes playing football and never enter Indonesia Youth Club. When he was in Yogya, he had developed a hobby of it. On the football field this Yogya S. Sudjojono met with Rush who later became well-known painter. When it Rusli school in Taman Muda Student Park.

          During one year in Charm Rogo, he returned to Jakarta in school teach Student Park on the road Kadiman, Petojo led by the father of S. Mangun Sarkoro. At that time he has developed his love of painting. S. Sudjojono love to read, especially karaya literature, philosophy, and everything to do with painting. He often get the books he was looking for it on Flea Market Monday, all of which makes it grow and expand, becoming an artist painting a calculated, namely the artist who has a mission and vision for the future. He wanted to use art as a means to achieve these goals his spiritualism more noble.

          He was not satisfied with the state of the art of painting at that time revealed that only about mere physical beauty of the natural beauty that is naturalistic. He has a different vision of the painters of his day, was already visible at the time to learn the art of painting on Mr. Pirngadi. He was told to draw the object of the situation in his school life activities. After finishing the painting is completed, Mr. Pirngadi commented, "why you draw like a school yard macul course!". Likewise, when he drew his old soccer shoes object, given the comments by Mr. Pirngadi, "really just drawn an old shoe!"
       
           Linked with it, disclose it to Mr. S. Sudjojono Yudhakusuma adoptive father, "Mr. Yudha kusuma! Why is flavor-taste my pictures really dirty? However, the pack Yudha simply replied," What do you mean by dirty? "That's the unic art weirdness because maybe that was too good dirty. The answer is heartening S. Sudjojono. With a more powerful heart he continued to paint, even though he realized that the colors and the resulting line shape is very different from the paintings of his contemporaries.

     S. Sudjojono was in the hospital undergoing treatment of pain in her lungs at P Thousand Onrust Sanatorium in 1935, he saw an ad in one newspaper that invites painters, anyone, to include the work of his paintings in a prestigious exhibition, with prizes that will be held in Kunstkring, The Netherlands. S. Sudjojono include painting entitled "The Girl And Cats" which depicts a girl playing dakon. The painting received first prize. This makes S. Sudjojono increasingly convinced of his talent as a painter.
 
          
Kunstkring is an association of Dutch painter who held a very active arts activities. The members most Dutch people, but there are also people of Indonesia, especially the academic painters. Although the work of S. Sudjojono've got a gift of this association, he has not been accepted as members.

           As a response to the rejection Kunstkring who did not accept him as a member, S. Sudjojono with Agoes Djayasoeminta who also teaches at the School of Arjuna Petojo, together with the painter contemporaries, founded the Indonesian Bar Association Expert Gam, PERSAGI. Agoes Djayasuminta its chairman, secretary S. Sudjojono. Its members are S. Toetoer, Soekirno, Soetioso, Surono, Otto Djayasuminta, Abdul Salam. They all in general is the sign painter.

          The main focus of PERSAGI is painted together. Least once a month they get together to do the painting exercise. Sometimes they go to a place to look for objects lukisan.Setahun they practice, then Agoes Djayasuminta felt it was time to hold a joint exhibition. PERSAGI the first exhibition held in bookstores G. Kolff, Ir.H.Djuanda road. In this first exhibition of the most widely exhibited paintings are the work Agoes Djayasuminta. Excellent response to the public. Press the Netherlands, Indonesia and Chinese press praised him. This causes more profound confidence to develop the art of painting as  a medium of artistic expression.

          By a director of the factory paint "Par" is also a collector of paintings S. Sudjojono, Agoes Djayasuminta and other artists a chance to see the works of European painters through Regnault Collection Exhibition which was held a few times. Collection of paintings including works of a painter who was famous among other things, Van Gogh, George Seurat, Paul Cezanne and others.

          On this occasion S. Sudjojono began writing criticism. Giving a review-reviews that praised the exhibition. He was the first Indonesian painter who writes criticism in the Indonesian language. Typical style of criticism, with the words to praise even the paintings on display.

          In every work of paintings and writings krtiknya, S. Sudjojono always put the code "SS 101" At this time also he painted in front of the Nets who is now a collection of the Palace of the Republic of Indonesia. Painting "In Front Nets", described the hard life depicted suana with a strong sense of realism. One critic said that this painting is a painting of the same position with the painting "Mother" by Affandi. Both are important milestones in the history of Indonesian art.

          In contrast to the style of the artist as Pirngadi, Abdullah Surio Subroto, Wakidi and others, paintings by S. Sudjojono and Affandi not naturalistic style. Which appear in their paintings are the real truths in life is not just about nature presented by naked eyes, soft, beautiful and naturalistic. In the paintings of S. Sudjojono and Affandi is evident is the truth that is spiritual expression that exist in the soul, emotions, sad, happy, hard etc.. ( Saturday, June 20, 2010 - Slamet Priyadi in Lido )

Lukisan karya S. Sudjojono "Hukum"
Bebas Sepenuhnya by S. Sudjojono 


Gerilya by S. Sudjojono




Sabtu, 03 Desember 2011

“MODERN ART WITH ISLAMIC THEMES” By Prof.Dr. Edi Sedyawati


A.D. Pirous
             SUNDAY, DECEMBER 04, 2011 – DENMAS PRIYADI’S BLOG : It was the two modern artist, Sadali and A.D. Pirous, a graduate from an Indonesian Faculty of Arts in Bandung, who bigan to create modern painting with Islamic calligraphy as theme and germ idea.  There recouse to artist ideas explored from Indonesian traditional art bigan presicely after their return from their further studies abroad in western country.  It was a kind of a new awareness, or an awakening in their minds, that the many living tradition in Indonesian art do offer a challenging material to be explored for their work using the approach of contemporary art.  In terms of aesthetic ingetuity, tehnical explorative perseverance ( for colour, form, and texture), and refinerment in feeling, they excel, and thus accepted among the foremost exponent of Indonesian modern painters.  Another painter who is very productive in making painting with calligraphic theme is Amry Yahya from the Academic of Arts in Yogyakarta.  The specificity of his work is that mostly he used the batik tehnique for his painting.

Lukisan abstrak karya Achmad Sadali

Lukisan kaligrafi karya A.D. Pirous
            The Islamic theme in Indonesian modern painting, however, is not confined to the use of calligraphic style.  Spiritual concepts or associations related to Islamic teaching, and their interpretations, do find their way into Indonesian paintings such as those made by Amang Rachman from Surabaya. To sum up, Islam does fascinate and inspire Indonesian creative artist, in all forms of art in general, and visual arts in particular. ( POSTED BY SLAMET PRIYADI IN LIDO – BOGOR – WEST JAVA ).  

"SENI MODERN ISLAMI"  ( Terjemahan bebas by Slamet Priyadi )                                   
 Minggu, 4 Desember, 2011 -  Denmas Priyadi Blog : Ahmad Sadali dan A.D. Pirous adalah dua seniman modern Indonesia lulusan Fakultas Seni Indonesia di Bandung, yang memulai  karirnya dengan karya-karya seni lukis modern dengan  kaligrafi Islam sebagai tema dan ide dasarnya. Adapun ide-ide dasar dan konsep karyanya digali dari seni tradisional Indonesia setelah mereka kembali dari studi di luar negeri di negara barat. Ini adalah semacam kesadaran baru, atau kebangkitan dalam pikiran mereka, bahwa banyak sekali tradisi yang hidup dalam seni tradisi Indonesia menawarkan materi yang cukup menantang untuk dieksplorasi sebagai pekerjaan mereka dalam menggunakan pendekatan seni kontemporer. Dalam hal estetika ingetuity, ketekunan eksploratif tehnical (untuk warna, bentuk, dan tekstur), dan refinerment dalam perasaan, mereka unggul, dan dengan demikian mereka diterima sebagai seniman di antara eksponen terkemuka pelukis Indonesia modern. Pelukis lainnya yang sangat produktif dalam membuat lukisan dengan tema kaligrafi yaitu Amry Yahya dari Akademi Seni di Yogyakarta. Kekhususan dari karya-karyanya  sebagian besar menggunakan tehnik batik dalam karya.

Lukisan batik karya Amry Yahya
 
Amry Yahya
Tema-tema Islam dalam lukisan Indonesia modern, bagaimanapun, tidak terbatas pada penggunaan gaya kaligrafi. Konsep spiritual atau penafsiran yang berkaitan dengan ajaran Islam, dan interpretasi mereka, tidak menemukan jalan mereka ke dalam lukisan  Indonesia seperti yang dibuat oleh Amang Rachman dari Surabaya. Singkatnya, Islam telah mempesona dan menginspirasi seniman kreatif Indonesia, dalam segala bentuk seni pada umumnya, dan seni visual pada khususnya. (POSTED BY SLAMET PRIYADI DI LIDO - BOGOR - JAWA BARAT - INDONESIA).

TEACHING OF ISLAM IN THE STORY "ARJUNA WIWAHA" by Slamet Priyadi


Arjuna Prabu Katili
SATURDAY, 3 DECEMBER 2011 – DENMAS PRIYADI BLOG - The play story of PARTODEWA or ARJUNA WIWAHA is one of the stories "Mahabharata" section to the III, namely "Wanaparwa". Created by master Kanwa in the reign of Airlangga 914-946 Saka or 1019 to 1042 AD. This story is a symbol for a person (ARJUNA) who struggles against temptation and lust wrath (NIWATAKAWACA). If someone is able to overcome all kinds of temptations of various kinds of passions rage it will get happiness both globally and in the Hereafter (Syurga).

One a time, the Pandavas when Arjuna Satriya panengah intend to seek true happiness by doing penance ask God to all his desire to obtain happiness both in this world and the hereafter granted. However, in his attempt was blocked Arjuna with all power and trickery by King Nitakawaca a giant king of the country Himantaka. With the magic of Arjuna in the end be defeated until dead (perlaya) Nitakawaca. Be Satriya panengah Pandava Arjuna was a king in the fairy kingdom of King Katili syurga title.

Wara Sumbadra goddess wife and brother of Sri Krishna Arjuna Arjuna followed the royal Majesty Katili Angel in Syurga. In his journey to Sri Krishna and Goddess syurga Wara Sumbadra see hell with the residents who are being tortured with all the suffering that endured until the kingdom of Angel in Syurga. Arjuna empress, goddess Wara Sumbadra and her old brother Sri Krishna encountered and witnessed firsthand the King Katili, the Arjuna with all happiness life experiences.

A short story by persuasion Sri Krishna and his wife, Dewi Wara Sumbadra whom she loved it, finally King Arjuna Katili Marcapada want to go back to the (world) to re-knit the world's happiness with his wife goddess Wara Sumbadra.

Tumenggung Dipaningrat opinion of Solo, "Although the source of the story above story is taken from the Mahabharata, but the story has changed so much puppetry and tailored to the teachings of Islamization". (Islamic Elements In Puppets, p.97)

The conclusion of the story of Arjuna Wiwaha or Partodewa is to describe when someone is able to defeat and control various kinds of temptations and evil desires that exist in him it will get happiness both in this world and the hereafter. This is as contained in our holy Qur'an The letter states:

"Those who believe and do good work, they are the best of creatures. Their reply on the side of their God, heaven, heaven where statutes, the rivers flowing to him and they will abide therein. God willing they Jaunty him and also him. That is for those who submit to his Lord ". [AL-QUR'AN ALBAYYINAH LETTER: 7-8]




Jumat, 02 Desember 2011

RAMAYANA by Nyoman S. Pendit


Harga Rp55.250,-

Penerbit
Gramedia Pustaka Utama (GPU)

ISBN/EAN
9792222871 / 9792222871

Terbit
25 Juli 2006


SINOPSIS
Epos Ramayana adalah salah satu warisan budaya Indonesia yang diadaptasi dari khazanah sastra klasik India. Epos yang sudah berabad-abad dikenal di Indonesia dalam bentuk kakawin, relief di Candi Prambanan, atau tari-tarian ini, ditulis kembali oleh Nyoman S. Pendit, penulis Mahabharata (Gramedia Pustaka Utama, 2006, cetakan keempat) dengan gaya bertutur yang memikat dan enak dibaca.

DETAIL
JudulRamayana
ISBN / EAN9792222871 / 9792222871
AuthorNyoman S. Pendit
PublisherGramedia Pustaka Utama (GPU)
Publish25 Juli 2006
Pages0
Weight199 gram
Dimension (mm)140 x 210
Tag Fiksi,

Minggu, 27 November 2011

"ISLAM IN PUPPET STORY A PANDAVAS FIVE" by Slamet Priyadi

Monday, November 28, 2011 29 - Denmas Priyadi Blog - In the story of the Pandavas puppet figure kesatriya Five are the five sons of King Puntadewa Amarta and Prita [Goddess Kunthi]. They are Yudhisthira, Bhima, Arjuna, and the twins Nakula and Sahadeva. Associated with Islamic teachings to the five sons of the Pandavas is the five Pillars of Islam, namely: 1. Syahadatain, 2. Praying five times, 3. Fasting Ramadan, 4. Zakat, 5. Go Hajj.


A. PANDAVAS FIVE

1. Yudhisthira (Darmakusuma),
Yudhishthira also known as Darmakusuma is the first son, a Pandava princes of the above crown there is a piece of white paper and an amulet agemannya miracle that can not be defeated by anyone. Yudhisthira amulet which is called Sodo Klimo Syahadatain be writing sentences, "Lailahaillallah Muhammadarrasulullah". This is a picture if someone had said the words' Creed should be with a deep conviction giving rise to soul force capable of defeating nature of insolence.

2. Bima (Werkudoro),
Bima is also known as Werkudoro. Milky or Werkudoro hulking like a giant, always wear a bracelet chopsticks urang denan will face seems stern but always looked like someone who is implementing a Prayer. When you're doing something can not be bothered to what he was doing was completed. This case illustrates if you're doing daily prayers can not be contested. Kesatriya Pandava Bhima is the most courageous and gallant with the charm of his power that is contained in his arms, Aji Pancanaka which means five forces that always held firmly. It is a symbol or emblem that prayer five times a day if properly implemented the full faith and perseverance that depth will have a great power capable of defeating all challenges both physically and spiritually.

3. Arjuna (Janaka),
Arjuna has many names including the Janaka, Permadi. Arjuna known to be imprisoned, entrepreneurial firm, and handsome. This is a picture of those who diligently fasting (imprisoned), will have a strong soul and calm in the face of all challenges and trials.

4 and 5. Nakula and Sahadeva,
Nakula and Sahadeva the Pandava kesatriya a very diligent and hard-working man. Also looks elegant, neat and well dressed and generous nature. It described as people who spend Zakat and Hajj go. They are people who tithe and Haj are the ones who are able and good fortune as well as a rich inner life.

B. JAMUS KALIMOSODO
The play Jamus Kalimasada, Kalimusodo or amulets in the story is one of the puppet play carangan essay or story created by the trustees that Muslim Wali Songo. It is like it was written Dr. Th. Piqeud in his book "De Javaanse Volksvortoningen" that:

"Sunan Kali fabricate new puppet theater play-organizing performances and puppet with him as the mastermind in the form of wages KALIMA Creed". (Quoted from the book "Elements of Islam In the Puppets" thing. 84, Drs. H. Effendi zarkasi)

Jamus Kalimusodo told in the play: a giant son Gods Srani Betara when big ambitions for world domination, then this desire to his mother diceritakanlah Betari Durga. Hearing this statement from her beloved son Durga Betari very joy, it is recommended to his son in order to steal the inheritance of God Srani "Amulet Kalimusodo" that existed at King Darmakusuma king Pandava princes Amarta.

"O ananda, ananda if it really wants to rule the world, it's just one condition, ananda should get a heirloom amulet Kalumusodo contained in State-owned King Amarta Darmakusuma, and puasaka it's located in the crown of the head of King Darmakusuma".

Hear an answer from her mother and god syaran Srani bit surprised, because how can get heirloom because he himself knows that the King Amarta, King Darma Kusuma is a very famous leaders Pandawalima supernatural powers and kedigjayaannya. Ask God Srani to his mother:

"Mother! How do I get ananda Kalimusodo heirloom amulet was the mother knew, King Darmokusumo and fourth brother is known as Pandawalima mandraguna powerful figures. Ananda think it is very difficult to seize the inheritance directly! "

"Mother would suggest that you should ananda have to steal it, it is the single easiest way ananda seize it because if it did not seem possible because the magic amulet Kalimusodo Heritage is infinitely remarkable can not be defeated by any weapon type inheritance, and for it should ananda
When facing ramamu Betara to ask for blessing and magic power supplies in order to succeed in stealing it later. "Thus the suggestion of his mother then.

Long story short Srani god finally succeeded in obtaining Heritage Kalimosodo Amulet by stealing it from King Darmakusuma, and he ruled the world thanks to the inheritance of these Kalimusodo amulets, but heirloom amulet Kalimusada can be recaptured by the Five Pandavas through persistence Satriya panengah Pandava Prince Arjuna.

Nuances of Islamic teachings contained in the story plays Kalimusodo Amulet is an explanation of the utterance "Two Kalima Shahadah" Pillars of Islam first. Kalimosodo or Kalimasada = The sentence is a sentence saying Shahadah, the testimony or evidence itself, and recognition "THERE'S NO OTHER GOD GOD GOD AND MUHAMMAD IS THE APOSTLES."

As for Srani god, this is a depiction of the nature of insolence. Srani god is the son of Goddess Durga and Kala Betara who always want to disseminate a wide range of criminal behavior in the world. In the present context, god Srani a visualization of the monster invaders from the West that the nails are already strong grip all over the world especially in the Earth Middle East, and root-akarnyapun has spread throughout the world. Almost all countries around the world into its prey, colonized culture, economic, social and political. Who dares to challenge me, then will I destroy. Iraq, Afghanistan, Egypt, Libya is a clear example of Gods Srani behavior.

Behavior associated with the West who want to master the world of Islam Al-Qur'an has warned:

"And the Jews and Nassara not be willing to you until you take part of their religion". Say: Surely Allah's guidance in truth instructions. If you participate against their will after dating knowledge to you so you will not be able helper and servant of God ". (ALBAKARAH: 120)

"A section of the Book would like to lead you astray, but they can not mislead except their own selves but they perceive not" (Ali Imran: 69)

Therefore should Muslims around the world want and remain united in Islam and ever vigilant against threats that want to change and damage our Islamic aqeedah. [REFERENCES: 1. Indonesia Culture (Archaeological Studies, Art, and History - Prof. Dr. Edi Sedyawati, 2. Character Figures Puppets Mahabharata - Sri Guritno - Purnomo Soimun HP, 3. Elements of Islam In Puppets, Drs. H. Effendi zarkasi ]

NUANSA ISLAM DALAM LAKON PETRUK DADI RATU by Slamet Priyadi

Nov
Petruk Jadi Raja
Minggu, 27 November 2011 – Denmas Priyadi Blog – Lakon Petruk Dadi Ratu ( Petruk Menjadi Raja ) merupakan cerita wayang carangan atau karangan pujangga Islam dan tidak ada dalam cerita Mahabarata, oleh karena itu isi ceritanya mengandung ajaran Islam.
 
Diceritakanlah dalah lakon Petruk Dadi Ratu ini, pertempuran antara Bambang Priambodo melawan Dewi Mustokoweni yang begitu sengitnya. Keduanya sama-sama sakti, sama-sama gagah perwira dan pilih tanding sehingga keduanya tak ada yang kalah dan tak ada yang menang.  Keduanya bertempur karena memperebutkan pusaka Jimat Kalimusodo yang teramat sakti itu.  Pusaka Jimat Kalimusodo terkadang berada di tangan Dewi Mustokoweni terkadang berada di tangan Bambang  Priambodo, begitu seterusnya pusaka tersebut saling berpindah tangan di antara keduanya.  

Suatu ketika Bambang Priambodo dapat merebut pusaka Jimat Kalimusodo dari tangan Dewi Mustokoweni. Pusaka tersebut lalu diserahkan kepada Petruk salah seorang Punakawan Pandawa putra dari Semar Kudapawana agar di pegang menjadi ageman, dan jangan sampai bisa direbut oleh orang lain.

Dengan pusaka Jimat Kalimusodo ditangannya yang kemudian mengamalkannya, dengan bantuan Batara Guru dan Batara Narada yang ingin membantu petruk agar mampu menyimpan dan menyelamatkan pusaka Jimat Kalimusodo, maka jadilah Petruk seorang yang sakti mandraguna, gagah perkasa, tanpa tanding. Dengan kesaktiannya yang teramat sakti itu Petruk menjadi jumawa, angkuh dan sombong. Dengan kesaktiannya itu Petruk  menaklukkan kerajaan-kerajaan di sekitarnya, salah satu negeri dari negeri-negeri yang ditaklukannya lalu dikuasainya adalah Negeri Sanyowibowo. Dengan bangga dan penuh kesombongan kemudian Petruk mengangkat dirinya menjadi seorang raja yang berkuasa penuh atas kerajaan dan negeri Sanyowibowo bergelar, PRABU BELGEDUWELBEH TONGTONGSOT. 

Ketenaran dan kemashuran negeri Sanyowibowo dibawah kekuasaan Prabu Belgeduwelbeh seorang raja baru yang teramat sakti membuat negeri Astina, Dwarawati, dan negeri Amarta menjadi ketir-ketir juga, mereka khawatir kalau-kalau negerinya juga akan diserang dan ditaklukkannya juga. Maka sepakatlah mereka akan menyerang terlebih dahulu kerajaan Sanyowibowo yang sekali gus membinasakan Prabu Belgeduwelbeh. Akan tetapi tak seorangpun dari mereka yang mampu mengalahkan kesaktian Prabu Belgeduwelbeh, bahkan mereka dengan begitu mudah dapat dikalahkan oleh Prabu Belgeduwelbwh.
Melihat kenyataan ini, Sri Kresna seorang penasehat pandawa melapor untuk memohon bantuan kepada lurah Semar Kudapawana, ayah dari Petruk yang sudah menjadi raja di negeri Sanyowibowo, dan Nolo Gareng, kakak petruk agar bisa menaklukkan raja yang sakti dan sombong dan jumawa itu. 

Singkat cerita dengan kesaktian Sanghyang Semar Badranaya dan Nolo Gareng, akhirnya kesaktian Prabu Belgeduwelbeh dapat dikalahkan dan kesaktiannya bisa dilenyapkan, begitupun segala kesombongannya hilang seketika dan Prabu Belgeduwelbeh kembali seperti wujud semula menjadi Petruk. Adapun Batara Guru dan Batara Narada yang bertanggung jawab atas rekayasa Petruk menjadi raja di Negeri Sanyowibawa menyatakan alasannya, bahwa mereka berdua menjadikan Petruk menjadi raja yang sakti semata-mata agar petruk mampu menyelamatkan pusaka Jimat Kalimusodo yang akhir-akhir ini sudah dijauhkan dari raja dan rakyat Amarta sendiri.

Secara kajian Islam cerita Petruk jadi raja ini menggambarkan kepada kita bahwa derajat dan kemuliaan seseorang bukan diukur dari harta dan kedudukan, melainkan dari taat dan kukuhnya mengamalkan ajaran agama dari siapapun orang baik hamba sahaya, penguasa, dan para pejabat kaya. Hal ini sebagaimana digambarkan tokoh Petruk seorang punakawan rakyat jelata, ia bisa menjadi besar, orang terpandang karena memegang Jimat Kalimusodo (ISLAM=Kalimat Syahadah). 

Hal ini seperti ditulis dalam Al-Quran, Surat Alhujaraat:13 yang artinya :

“Wahai manusia, sesungguhnya aku (Allah) ciptakan engkau dari lelaki dan wanita, dan Aku jadikan berbangsa-bangsa, dan bersuku-suku, agar saling kenal mengenal. Sesungguhnya yang lebih mulia di anatara kamu adalah yang lebih taqwa”. 

Dan sebagaimana Hadis Nabi :

“Manusia itu sama seperti gerigi sisir, tiada kemuliaan bagi orang Arab lebih daripada orang (bangsa) lainnya kecuali taqwanya”. <SP>  




Sabtu, 26 November 2011

ASSALAMU'ALAIKUM...

Lampahipun Wekdal sampun dumugi pungkasanipun wulan besar.
* Sakedap malih angLebeting wulan SURO.
* Tetes, Titis, Totos, warsanipun poro Pangagung Lan piyantun JAWI sak Luhuripun KaLepatan Lelampah, Kawulo Nyuwun Gunging Samudro Pangaksami.
* Ndere'aken katur Rahajeng 1 Syuro 1945, ugi 1 Muharam 1433 H.
* Mugi-mugi Kanjeng Gusti Allah SWT Tansah paring Ginanjar kawilujengan karahayon tumrap kito sedoyo. Amien... Nuwun, Wassalam... Ki Sukarwo Asmoro Santo & Slamet Priyadi sekeluarga

Minggu, 13 November 2011

NUANSA AJARAN ISLAM DALAM LAKON JAMUS KALIMUSODO By Slamet Priyadi

MINGGU, 13 NOVEMBER 2011 – DENMAS PRIYADI BLOG -  Lakon Jamus Kalimusodo atau Jimat Kalimasada dalam cerita pewayangan adalah salah satu lakon carangan atau cerita karangan yang diciptakan oleh para wali penyebar agama Islam Wali Songo. Hal ini seperti ditulis Dr. Th. Piqeud dalam bukunya “De Javaanse Volksvortoningen” bahwa:

Kalimah Syahadah

“Sunan Kali mengarang lakon-lakon wayang baru dan menyelenggarakan pergelaran-pergelaran wayang dengan upah baginya sebagai dalang berupa Kalimah Syahadat”. ( Dikutip dari buku “Unsur Islam Dalam Pewayangan” hal. 84, Drs. H. Effendi Zarkasi )

Dewa Srani
       Diceritakan dalam lakon Jamus Kalimusodo :  Dewa Srani seorang raksasa putra Betara kala berambisi besar untuk menguasai dunia, lalu diceritakanlah keinginannya ini kepada ibunya Betari Durga. Mendengar pernyataan dari putra kesayangannya ini Betari Durga sangat  suka cita, maka disarankan kepada putranya Dewa Srani agar mencuri pusaka “Jimat Kalimusodo” yang ada pada Prabu Darmakusuma raja Amarta pemuka Pandawa.

       “Wahai ananda, jika ananda memang benar-benar ingin menguasai dunia, itu hanya satu syaratnya, ananda harus mendapatkan pusaka Jimat Kalumusodo yang terdapat di Negeri Amarta milik Prabu Darmakusuma, dan puasaka itu terletak di mahkota kepala Prabu Darmakusuma”.

Betari Durga
      Mendengar jawaban dan syaran dari ibunya Dewa Srani sedikit terkejut, karena bagaimana mungkin mendapatkan pusaka tersebut karena dia sendiri mengetahui kalau Raja Amarta, Prabu Darma Kusuma adalah pemuka Pandawalima yang teramat kesohor kesaktian dan kedigjayaannya. Bertanyalah Dewa Srani kepada ibunya:

      “Ibunda! Bagaimana caranya ananda bisa memperoleh pusaka Jimat Kalimusodo itu sedang ibunda tahu, Prabu Darmokusumo dan keempat saudaranya yang dikenal dengan Pandawalima adalah sosok-sosok sakti mandraguna. Ananda kira sangatlah sukar untuk merampas pusaka itu secara langsung!”

Betara Kala
      “Ibunda sarankan agar sebaiknya ananda harus mencurinya saja, itu adalah satu-satunya jalan termudah sebab jika ananda merampasnya sepertinya itu tidak mungkin sebab kesaktian Pusaka Jimat Kalimusodo itu maha sangat luar biasa tidak bisa dikalahkan oleh jenis senjata pusaka manapun, dan untuk itu sebaiknya ananda menghadap ramamu Betara Kala untuk minta restu dan bekal kesaktian agar dalam melakukan pencurian nanti berhasil. ” Demikianlah saran dari ibunya kemudian.

       Singkat cerita Dewa Srani akhirnya berhasil memperoleh Pusaka Jimat Kalimosodo dengan cara mencurinya dari Prabu Darmakusuma, dan iapun menguasai dunia berkat pusaka Jimat Kalimusodo tersebut, akan tetapi pusaka Jimat Kalimusada ini dapat direbut kembali oleh Pandawa Lima melalui kegigihan satriya panengah Pandawa Raden Arjuna.

       Nuansa ajaran Islam yang terkandung dalam cerita lakon Jimat Kalimusodo adalah penjelasan tentang ucapan “Dua Kalima Syahadah” Rukun Islam pertama.  Kalimosodo atau Kalimasada = Kalimat Syahadah yaitu kalimat ucapan, persaksian atau bukti diri, dan pengakuan  “TIADA TUHAN SELAIN ALLAH DAN MUHAMMAD ADALAH RASUL ALLAH.”

Arjuna merebut kembali Jamus Kalimusodo

       Adapun tentang Dewa Srani, ini adalah penggambaran dari sifat angkara murka. Dewa Srani adalah putra dari Betara Kala dan Dewi Durga yang selalu ingin menyebarluaskan berbagai macam prilaku kejahatan di dunia. Dalam konteks kekinian, Dewa Srani merupakan visualisasi dari Sang Monster Penjajah dari Barat yang  kuku-kukunya sudah mencengkeram kuat di seluruh dunia terutama di bumi Timur Tengah, dan akar-akarnyapun sudah menyebar ke seluruh dunia. Hampir semua Negara di seluruh dunia menjadi mangsanya, terjajah budayanya, ekonominya, social dan politiknya. Siapa berani menantang aku, maka akan aku hancurkan.  Iraq, Afganistan, Mesir, Libya adalah contoh nyata dari Prilaku Dewa Srani.

       Terkait dengan prilaku Barat yang ingin menguasai dunia Islam Al-Qur’an sudah mengingatkan: 

       “Dan orang-orang Yahudi dan Nashara tidak akan rela kepadamu hingga kamu turut agama mereka”.  Katakanlah: Sesungguhnya petunjuk Allah itulah sebenar-benarnya petunjuk. Jikalau engkau turut kemauan mereka sesudah dating pengetahuan kepadamu maka engkau tidak akan dapat penolong dan pembantu dari Allah”. ( ALBAKARAH : 120 )

Keris Pusaka Kalimusodo

       “Segolongan dari Ahli Kitab suka hendak menyesatkan kamu, padahal tidak dapat mereka menyesatkan kecuali diri-diri mereka sendiri sedang mereka tidak sadar” ( ALI IMRAN : 69 )

      Oleh karena itu sebaiknya umat Islam di seluruh dunia mau dan tetap bersatu dalam ISLAM dan selalu waspada terhadap ancaman-ancaman yang ingin merubah serta merusak aqidah Islamiah kita. [ PUSTAKA: 1. Budaya Indonesia ( Kajian Arkeologi, Seni, dan Sejarah – Prof.Dr. Edi Sedyawati, 2. Karakter Tokoh Pewayangan Mahabarata – Sri Guritno – Purnomo Soimun HP,  3. Unsur Islam Dalam Pewayangan, Drs. H. Effendi Zarkasi  <SP> ]